[...] The pairing of Bunting’s traditional text, powered by an elegant repeating structure, with Ruzzier’s offbeat art is unexpectedly fabulous. The surreal, rather Seussian landscape (check out those hallucinatory flowers and purple hills) makes the transition to the spreads of Little Elephant’s imagined experiences effortless; the spare spikiness is also a salutary contrast to the elephants’ rounded forms and general adorableness.
Martha V. Parravano
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